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I am interested in works of art that can convey a multiplicity of distinct essentials — emotion, narrative elements and inner dialogue, the physical and the ephemeral, the past and the present. It is with these fundamental pieces as tools that the narrative inherent within each of my works is conveyed.
I began my career in art as a painter, studying under Robert Beale and Richard MacLean in the style of Photo Realism. I quickly became seduced by the sensuality and tactile nature of the clay medium.
In my sculptures, the imagery develops through a collision of technical processes: drawing, slip casting, painting (with slip and underglaze) and commercial decals. I create my sculptures in high fire ceramic.
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